O'Shaughnessy is hitting Denholt on the side of his head with his free arm, great, walloping, pile-driver blows. The two of them stagger together, like partners in a crazy dance. Glass is breaking all around them. Gray smoke from the six shots, pink-and-white dust from the chipped brick-and-plaster walls, swirl around them in a rainbow haze. Something vividly green flares up from one of the overturned retorts, goes right out again. O'Shaughnessy tears the emptied gun away, flings it off somewhere. More breaking glass, and this time a tart pungent smell that makes the nostrils sting. The crunch of pulverized tube glass underfoot makes it sound as if they were scuffling in sand or hard-packed snow. ("Jane Brown's Body") . Cornell Woolrich
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More Quotes By Cornell Woolrich
  1. The preliminaries were out of the way, the creative process was about to begin. The creative process, that mystic life force, that splurge out of which has come the Venus de Milo, the Mona Lisa, the Fantasie Impromptu, the Bayeux tapestries, Romeo and Juliet, the...

  2. That was enough dialogue for a few pages - he had to get into some fast, red-hot action. There weren't any more hitches now. The story flowed like a torrent. The margin bell chimed almost staccato, the roller turned with almost piston-like continuity, the pages...

  3. Home? What is home? Home is where a house is that you come back to when the rainy season is about to begin, to wait until the next dry season comes around. Home is where your woman is, that you come back to in the...

  4. It was a brave city, she decided, eyeing them. Brave in its other sense; not courageous, so much as outstanding, commanding. It was too nice a town to die in. Though it had no honeysuckle vines and no balconies and no guitars, it was meant...

  5. Every life is a mystery. And every story of every life is a mystery. But it is not what happens that is the mystery. It is whether it has to happen no matter what, whether it is ordered and ordained, fixed and fated, or whether...

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